D H Lawrence
David Herbert Richards Lawrence (11 September 1885 – 2 March 1930) was an English novelist, poet, playwright, essayist, literary critic and painter who published as D. H. Lawrence. His collected works represent an extended reflection upon the dehumanising effects of modernity and industrialisation. In them, Lawrence confronts issues relating to emotional health and vitality, spontaneity, and instinct.
Lawrence's opinions earned him many enemies and he endured official persecution, censorship, and misrepresentation of his creative work throughout the second half of his life, much of which he spent in a voluntary exile which he called his "savage pilgrimage."[1] At the time of his death, his public reputation was that of a pornographer who had wasted his considerable talents. E. M. Forster, in an obituary notice, challenged this widely held view, describing him as, "The greatest imaginative novelist of our generation."[2] Later, the influential Cambridge critic F. R. Leavis championed both his artistic integrity and his moral seriousness, placing much of Lawrence's fiction within the canonical "great tradition" of the English novel. Lawrence is now valued by many as a visionary thinker and significant representative of modernism in English literature.
Lawrence's opinions earned him many enemies and he endured official persecution, censorship, and misrepresentation of his creative work throughout the second half of his life, much of which he spent in a voluntary exile which he called his "savage pilgrimage."[1] At the time of his death, his public reputation was that of a pornographer who had wasted his considerable talents. E. M. Forster, in an obituary notice, challenged this widely held view, describing him as, "The greatest imaginative novelist of our generation."[2] Later, the influential Cambridge critic F. R. Leavis championed both his artistic integrity and his moral seriousness, placing much of Lawrence's fiction within the canonical "great tradition" of the English novel. Lawrence is now valued by many as a visionary thinker and significant representative of modernism in English literature.
Lady Chatterley's Lover
One of the most extraordinary literary works of the twentieth century, Lady Chatterley's Lover was banned in England and the United States after its initial publication in 1928. The unexpurgated edition did not appear in America until 1959, after one of the most spectacular legal battles in publishing history.
Women in Love
A sequel to Lawrence's earlier The Rainbow (1915), Women in Love continues the story of the Brangwen sisters in the coal-mining town of Beldover. Based in part on Lawrence's own stormy marriage to German aristocrat Frieda von Richthofen, the tale is charged with intense feelings and psychological insights.
Sons and Lovers - D. H. Lawrence & Victoria Blake
Of all Lawrence's work, Sons and Lovers tells us most about the emotional source of his ideas," observed Diana Trilling. "The famous Lawrence theme of the struggle for sexual power--and he is sure that all the struggles of civilized life have their root in this primary contest--is the constantly elaborated statement of the fierce battle which tore Lawrence's family."
Sons and Lovers is one of the landmark novels of the twentieth century. When it appeared in 1913, it was immediately recognized as the first great modern restatement of the oedipal drama, and it is now widely considered the major work of D. H. Lawrence's early period. This intensely autobiographical novel recounts the story of Paul Morel, a young artist growing to manhood in a British working-class family rife with conflict. The author's vivid evocation of the all-consuming nature of possessive love and sexual attraction makes this one of his most powerful novels.