Cornelia Read
Cornelia Read
born New York, The United States
gender female
genre Mystery & Thrillers
influences Jim and Hunter S. Thompson, Nabokov, Jane Austen, Speed Racer, Saki, t.
About this author
I have circumnavigated the globe, throwing up in many of the world's airports as I hate to fly. I was born in Manhattan, and spent my childhood racketing around from New York to California to Oahu.
I know old-school WASP culture firsthand, having been born into the tenth (and last) generation of my mother's family to live on Oyster Bay's Centre Island. I was subsequently raised near Big Sur by divorced hippie-renegade parents. My childhood mentors included Sufis, surfers, single moms, Black Panthers, Ansel Adams, draft dodgers, striking farm workers, and Henry Miller's toughest ping-pong rival.
I am now at home molding the characters (evil laugh here) of my twin daughters, the younger of whom has severe autism. I am the world's worst housewife, nicknamed by my intrepid spouse "a lighting rod for entropy in the universe."
I like to read a lot, being especially fond of the backs of cereal boxes and badly garbled assembly instructions written by persons for whom English is not the language of choice (although my all-time favorite bit of writing was contained in the song list on a bootleg Dylan tape in Hong Kong, which claimed "Bowling in the Wind" was the first cut on side A).
For the last several generations, my family's motto has been "Never a Dull Moment." None of us know how you would say this in Latin. I subscribe to my sister's gustatory philosophy, which is that "there are two kinds of food in the world: food that's good, and food that needs more salt."
My two favorite songs are Patsy Cline's "Sweet Dreams" and that little bit of Bach Glenn Gould plays right when the Tralfamadorians are coming out of the stars to kidnap Billy Pilgrim and his old dog Spot in the movie version of Slaughterhouse Five. The Rolling Stones doing "King Bee" gets an honorable mention.
I have now published two novels, A Field of Darkness and The Crazy School. Field was nominated for seven awards, including the Edgar for best first novel. I am also the grateful recipient of a 2008 National Endowment for the Arts Creative Writing Fellowship.
I would like to be Winston Churchill when I grow up.
born New York, The United States
gender female
genre Mystery & Thrillers
influences Jim and Hunter S. Thompson, Nabokov, Jane Austen, Speed Racer, Saki, t.
About this author
I have circumnavigated the globe, throwing up in many of the world's airports as I hate to fly. I was born in Manhattan, and spent my childhood racketing around from New York to California to Oahu.
I know old-school WASP culture firsthand, having been born into the tenth (and last) generation of my mother's family to live on Oyster Bay's Centre Island. I was subsequently raised near Big Sur by divorced hippie-renegade parents. My childhood mentors included Sufis, surfers, single moms, Black Panthers, Ansel Adams, draft dodgers, striking farm workers, and Henry Miller's toughest ping-pong rival.
I am now at home molding the characters (evil laugh here) of my twin daughters, the younger of whom has severe autism. I am the world's worst housewife, nicknamed by my intrepid spouse "a lighting rod for entropy in the universe."
I like to read a lot, being especially fond of the backs of cereal boxes and badly garbled assembly instructions written by persons for whom English is not the language of choice (although my all-time favorite bit of writing was contained in the song list on a bootleg Dylan tape in Hong Kong, which claimed "Bowling in the Wind" was the first cut on side A).
For the last several generations, my family's motto has been "Never a Dull Moment." None of us know how you would say this in Latin. I subscribe to my sister's gustatory philosophy, which is that "there are two kinds of food in the world: food that's good, and food that needs more salt."
My two favorite songs are Patsy Cline's "Sweet Dreams" and that little bit of Bach Glenn Gould plays right when the Tralfamadorians are coming out of the stars to kidnap Billy Pilgrim and his old dog Spot in the movie version of Slaughterhouse Five. The Rolling Stones doing "King Bee" gets an honorable mention.
I have now published two novels, A Field of Darkness and The Crazy School. Field was nominated for seven awards, including the Edgar for best first novel. I am also the grateful recipient of a 2008 National Endowment for the Arts Creative Writing Fellowship.
I would like to be Winston Churchill when I grow up.
Invisible Boy - Cornelia Read
"Cornelia Read's darkest, most passionate, and most poignant book yet."
-Tana French, New York Times Bestselling Author
The smart-mouthed but sensitive runaway socialite Madeline Dare is shocked when she discovers the skeleton of a brutalized three-year-old boy in her own weed-ridden family cemetery outside Manhattan. Determined to see that justice is served, she finds herself examining her own troubled personal history, and the sometimes hidden, sometimes all-too-public class and racial warfare that penetrates every level of society in the savage streets of New York City during the early 1990s.
Madeline is aided in her efforts by a colorful assemblage of friends, relatives, and new acquaintances, each one representing a separate strand of the patchwork mosaic city politicians like to brag about. The result is an unforgettable narrative that relates the causes and consequences of a vicious crime to the wider relationships that connect and divide us all.
-Tana French, New York Times Bestselling Author
The smart-mouthed but sensitive runaway socialite Madeline Dare is shocked when she discovers the skeleton of a brutalized three-year-old boy in her own weed-ridden family cemetery outside Manhattan. Determined to see that justice is served, she finds herself examining her own troubled personal history, and the sometimes hidden, sometimes all-too-public class and racial warfare that penetrates every level of society in the savage streets of New York City during the early 1990s.
Madeline is aided in her efforts by a colorful assemblage of friends, relatives, and new acquaintances, each one representing a separate strand of the patchwork mosaic city politicians like to brag about. The result is an unforgettable narrative that relates the causes and consequences of a vicious crime to the wider relationships that connect and divide us all.